Ceramic heads, archaic in form, some braided, some rough as worked stone, are mounted on industrial steel. Water runs through the pipes that hold them or pools below in flat trays. The material logic is deliberate: Céline Struger places the oldest human gesture in form-making onto contemporary infrastructure, and lets water decide what comes next.
The sculptures don't stage a conflict between past and present. What holds them is more slippery. She seems to work from the idea that a site's spirit does not dissipate when a building changes use or falls into disrepair, that it migrates instead into the objects left behind, into whatever material is willing to absorb it.
Water inscribes time into matter without being asked. The pipe and the ceramic face are both, in that sense, archives.
Catapult is an independent editorial platform dedicated to contemporary art.
We curate exhibitions, artists, interviews, and independent projects within a structured digital archive designed for long-term visibility.
Founded by Dominique Foertig and Ernst Koslitsch, Catapult operates at the intersection of artistic practice and editorial research. Our work is grounded in selection, clarity, and permanence.
Each year we review a high volume of submissions. Only a limited number align with our curatorial direction. This selectivity defines the integrity of the Living Archive and reflects our long-term editorial focus.
Catapult is built to sustain presence beyond visibility cycles and to document contemporary positions through thoughtful editorial structure.
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